Showing posts with label Pre-Celtic Wheel. Show all posts
Showing posts with label Pre-Celtic Wheel. Show all posts

Friday, May 1, 2020

Bealtaine (May Day) from The Way of the Seabhean




Bealtaine , 1st May, is the first day of summer. The goddess who presides over Bealtaine is Medb, a great earth goddess, the keeper of the land. For millennia, in Ireland, there was the tradition of the Beanfeis (the sacred marriage). A chieftain was chosen for his wisdom, kindness and fairness to the people. He lay with the priestess of Medb on Bealtaine Eve and from their union came the fertility of the land and of the people. The priestess personified the Goddess Medb. She was the land. The chieftain was making love to, and giving his sperm to, the land. Then he was head chieftain for that year. This rite of passage went on until about 300-400 AD, when Christianity came to Ireland.

Bealtaine takes us out of the darkness, celebrating the light and the communion of the people with the land. Traditionally, at the time of Bealtaine, great fires were held. The main Bealtaine fire was at the centre of Ireland, at Uisneach, which holds the essence of feminine energy, the triple energy of the maiden, mother and crone.

Bealtaine was the time of coming together for merrymaking, lovemaking and great festivities. The tribes came from the four directions and climbed the steep hill, where the celebrations began after sunset on Bealtaine eve. Couples came together at Bealtaine and the children conceived at that time were born at Imbolc and were considered sacred.

At Uisneach there is a stone called the Cat Stone with a hole underneath it. When deals were done at Bealtaine, they placed a long, tubular, musical instrument under the Cat Stone. They created sound under the stone, until the hill resounded with the energy. That deal had to be honoured and kept on pain of death, because the earth herself had heard and accepted it.

As the Bealtaine fires died down, people ran their cattle through them to cleanse them of any impurities, so they would be healthy and fertile for the summer months. Tribespeople and couples jumped over the fires. People also put clouties (pieces of material) on a hawthorn bush for good luck.

Medb is powerful, passionate and wild. In today’s world, the name Medb means wanton and hussy, because it is said that the later Medb, warrior queen of Connacht, could have thirty-two men in a night and still be found wanting.

Standing in the place of Medb, it is a time to explore and awaken our passion, whether that is sexual passion, or passion for anything else that we love to do. We have a right to pleasure. When we allow our passion to flow, we are truly alive.

Bealtaine is also the place of the sacred marriage, the union of one to another (as in the chieftain and the land) and also the union within ourselves. It is where we can balance our feminine and our masculine. We can open both sides of our nature and, by honouring each, we can come to the place of sacred marriage within ourselves. 

Excerpts from The Way of the Seabhean by Amantha Murphy, shaman, healer and seer and Órfhlaith Ní Chonaill, scribe. This book will be published by Womancraft Publishing for Brigid's Day 2021.

Thursday, January 30, 2020

Imbolc from The Way of the Seabhean


Brigid painting by Helen O'Sullivan

Imbolc is the first day of spring and the patroness is Brigid, a triple goddess who had three roles in one. She was a keeper of the flame. Fire, for Brigid, was the heart fire as well as the hearth. She was also the midwife and healer.

Brigid’s third role was patroness of the arts. Originally the arts were the ability to scry and to see (in the sense of being a seer). It was the cultivation of the third or inner eye, to see beyond and within. Later, the definition of the arts changed and the visionary and journeying elements were lost.

In the 5th Century AD, the first woman in Ireland to be professed as a nun in the Christian tradition was given the name Brigid. This was done to attract people into the new religion and to draw people’s awareness and attention away from the earlier, pagan tradition. Brigid really was a bridge between the ancient and the new, between the Goddess Brigid and herself, the Christian saint. She encompassed both.

St. Mel, the bishop who presided over her profession as a nun, also read over her the form for ordaining a bishop. This may not have been a mistake, because when he realised what had happened, he said: “What God has done no man can undo”. People’s homage to Brigid was so strong that, up until the 1920’s, women often prayed to Brigid rather than Mary. She was called Mary of the Gaels.

Many of our Imbolc traditions had to do with Brigid as keeper of the fire, the hearth, the home. Fire kept the tribe together. Even up until the 1960s, when a house was built, the oldest woman of the family, (either the man’s or the woman’s), took hot turf from her fire, put it in her apron and carried it into the couple’s new hearth where they built their fire around it. Then they kept that fire going; the fire continued down through the family.

When I was young, I remember the ritual when the old women cleaned out the fire. Then they called on Brigid to keep the fire burning. When women spring cleaned their houses, they often walked around the house three times calling on Brigid to bless and protect the house. Brigid was also called upon in her role of midwife and healer. If a child was being born or someone was dying, they summoned her.

Imbolc was a time when people began to venture out of their homes and brave the weather after the winter. The cattle were brought out for short times of the day. It was a time when the waters and the wells were blessed. It is still a traditional belief that, if the weather is fine on Brigid’s day, we will have a good summer.

Brigid’s crosses are hung over the doorway so that, when people come in, they are blessed by Brigid. If the intention they carry is not of light, it is released.

In Beaufort, in Kerry, the Biddies make beautiful, straw hats for Brigid’s Eve. They knock on doors, dance and sing and people bring them in and give them drink and food to carry forth. Opening the door at Imbolc is a ritual, allowing Brigid to enter. The maiden brings laughter, light and delight.

Brigid holds this space, the place of birth and beginnings. This is the time when the seed is put into the ground and begins to grow. Standing in this place tells us that we have been through a time of darkness and through the void. Empowered by that experience, we have come to the place of beginning again.

This is the place of new things coming into our lives. We need to be open to that. Brigid midwifes things into being. She is the one we call on when we want to give birth to physical children or creations of the mind.

When we stand in the place of Brigid, we are called to allow ourselves to move and change and to wear many hats. How do we wear those hats? How do we dance our dance?

Excerpts from The Way of The Seabhean, the forthcoming book from Amantha Murphy (Seabhean, healer and seer) and Órfhlaith Ni Chonaill (Scribe)

Friday, December 20, 2019

Winter Solstice from The Way of the Seabhean



The Winter Solstice (grianstad an gheimhridh – literal translation winter sun-stop) is the day of mid-winter. It is the longest night and shortest day of the year. After this night and day, we begin to move forward towards Imbolc. It is a time for our deepest communion within ourselves.

The winter solstice is one of eight festivals on the ancient (Pre-Celtic) Wheel of the Year. It is the place of the Cailleach, the old woman, hag or crone. 

Traditionally, people could not travel far around this time and so, they learnt patience as they lived in close quarters with their families. Communities congregated, to feel the safety of being together and they called upon the sun to return.

Many people kept their cattle in the cottage or rath with them and the warmth of the animals kept the people warm. Evergreens were bought in to decorate the house: holly, ivy and the mystical mistletoe. Some believed that evergreens were a place for nature spirits to rest. People prepared a feast, knowing how much would still be needed for the coming months. Food was shared with others so that those in need were taken care of. At this time, poitin, the illegal whiskey, was often ready for its first tasting. A log was decorated in honour of the Cailleach and burned, making way now for Brigit. A candle was lit and put by the window so passers-by would know they were welcome at this time. The candle also signified the returning of the light.

In Irish mythology, the souls passed over in Samhain and moved on to Tír na nÓg, the land of the forever young, to await rebirth. Their spirits became part of this earth and kept Ireland green and fertile. On the Wheel, the winter solstice is the place where the souls reside, waiting for rebirth at Imbolc. This is the place of the void, the place of the uncreated, a place of energy waiting to take form.

Often, we are frightened of being in the void, but the void is actually the place of women. We think somewhere is empty because we do not see what is there. Space is filled with energy. When we allow ourselves to sit in the void, we really embrace our power as women. We embrace all the creative magic and energy that we hold within us. Things need to be a bit foggy at first. By allowing ourselves to be in the fog and giving gratitude for the lack of clarity, the fog brings us more than we had anticipated or expected. We can put power, energy and magic into it, so that, when it clears, it will be magic.

(Excerpts from The Way of the Seabhean, a book by Amantha Murphy & Órfhlaith Ni Chonaill)